:doh:
E é justamente esse que acho o mais útil.
Também gostei da câmera e creio que a Fuji tem a intenção de trazer novos usuários para o sistema “X”, ampliando a base instalada. Acredito que será bem recebida nos mercados (América do Norte, Europa, Ásia-Pacífico etc.).
Aqui no Brasil, ela poderia ser adotada pelo pessoal que utiliza as Nikon D3xxx e D5xxx, uma vez que a Nikon deixou oficialmente o mercado. O problema seria a disponibilidade de adaptadores para o “F Mount”…
Geralmente quem essas cameras de entrada não tem grande quantidade de lentes, é fácil mudar.
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“…Ultimate Size Comparisons: Fujifilm X-S10 v X-T4 vs X-T30 vs X-H1…”
Source: https://www.fujirumors.com/ultimate-size-comparisons-fujifilm-x-s10-v-x-t4-vs-x-t30-vs-x-h1/
Source: https://www.fujirumors.com/ultimate-size-comparisons-fujifilm-x-s10-v-x-t4-vs-x-t30-vs-x-h1/
Um detalhe que reparei que a entrada de microfone fica posiciona acima do LCD. E pelas fotos a tampinha do conector é pequena e não deve atrapalhar em nada quando aberta. O que deve agradar bastante a galera de vlog e vídeo.
Começa a me interessar muito a câmera que vai vir
depois
dessa. Provavelmente uma X-H2 com cerca de 40 Mp e todos esses recursos novos.
Aguardo por ela.
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X-H2
X-T5
X-Pro 4
X-E4
E por ai vai… Tempos interessantes estão vindo :snack:
o próprio link já diz tudo
E pelo jeito a XF 10-24 mk II será anunciada no mesmo evento da X-S10.
Na expectativa. Quem sabe vem também a nova 18mm f/1.4.
“…LEAKED: Fujinon XF10-24mmF4 R OIS WR IMAGES and PRESS RELEASE…”
"…
[i]1. Update the Aperture ring, with a large aperture scale and automatic positioning lock
[i]The aperture ring has been updated to a large aperture scale, which is convenient for photographers to visually check the aperture set by the lens, without having to look through the camera’s electronic viewfinder or LCD display. The iris ring is also equipped with an automatic positioning lock, which is similar to the automatic positioning lock on the GF lens, which prevents accidental movement of the iris ring and improves use efficiency.
2. Enhance dust and drip resistance
This new lens is dust and moisture resistant and can operate at temperatures as low as -10°C. Despite the increased performance, the weight is 25g lighter than the previous model.
3. Improve optical image stabilization
This lens uses a new precision gyro sensor to increase the image stabilization by 1.0 stop compared with the previous model, reaching 3.5 stops. When paired with flagship models of X-series cameras (such as FUJIFILM X-T4), the lens and camera can achieve approximately 6.5-speed 5-axis image stabilization.
4. More slim and stylish design
Compared with the previous model, the focus ring and zoom ring are reduced by 3mm and 2mm respectively, and the design is more compact and stylish.
The new lens consists of 14 lenses, including 4 aspheric lenses in 10 groups and 4 ED lenses. The use of aspheric lenses can reduce spherical aberration, distortion and distortion, while the use of ED lenses can correct chromatic aberrations and provide stronger edge sharpness. Despite the small size of the lens, it can maintain a maximum aperture of F4.0 in the focal length range from super wide-angle 10mm to wide-angle 24mm (equivalent to 15mm-36mm in 35mm format), while users can still maintain a constant aperture value at any focal length .
The front lens lens has been carefully coated to minimize ghosting (which often occurs on large curvature lenses commonly found in ultra-wide-angle zoom lenses) and provide higher image sharpness and clarity.
The closest working distance of the lens is only 24cm, which is also suitable for macro photography. Using the lens to shoot an object at close range, while also bringing the background, can create powerful images that maximize the use of ultra-wide-angle focal length.
(3) Fast, almost silent autofocus
The lens uses an internal focusing system to achieve high-speed autofocus. The use of lightweight focusing lenses and high-precision motors enables fast, almost silent autofocus, which can also be achieved when used with the face/eye autofocus function of X-series cameras[/i]
[/i]…"
:wub: :wub:
E começo do ano que vem teremos a XE4!!!
Será?
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segundo o Fuji Rumors, sim…
“…BREAKING: Fujifilm X-E4 Coming in First Quarter 2021…”
Primeiro trimestre de 2021…
“…Fujifilm X-S10 - Specs Leaked…”
[i]
SPECS
. Number of effective pixels: 26.1 million pixels
. Image sensor: 23.5mm×15.6mm (APS-C) X-Trans CMOS 4 with primary color filter.
. Storage media:
– SD memory card (-2GB)
– SDHC memory card (-32GB)
– SDXC memory card (-2TB)
– UHS-I
. File format of still image: o JPEG:Exif Ver.2.3
– RAW: 14bit RAW (RAF original format)
. Lens mount:FUJIFILM X Mount
. Sensitivity
– Standard output: AUTO1 / AUTO2 / AUTO3 (up to ISO12800) / ISO160-12800 (1/3 step)
– Extended output: ISO80 / 100 / 125 / 25600 / 51200
. Exposure control: TTL 256-zone metering, Multi / Spot / Average / Center Weighted
. Exposure mode: P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M(Manual Exposure)
. Exposure compensation: -5.0EV-+5.0EV 1/3EV step (Movie: -2.0EV-+2.0EV)
. Image stabilizer Mechanism: Image sensor shift mechanism with 5-axis compensation
– Compensation Effect: Maximum 6.0 stops (based on CIPA standard. Pitch/yaw shake only.
– Digital Image Stabilization: Yes (movie mode only)
– IS MODE BOOST: Yes (movie mode only)
. Shutter type: Focal Plane Shutter
. Movie recording
. File format:
– MOV (MPEG-4 AVC/H.264, Audio: Linear PCM / Stereo sound 24bit / 48KHz sampling)
– MP4 (MPEG-4 AVC/H.264, Audio: AAC)
. File size: Long-GOP
. Frame rate: [DCI 4K (4096×2160) ] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min
. Recording time
– [4K (3840×2160) ] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min
– [Full HD (2048 ×1080) ] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
– [Full HD (1920×1080) ] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
– [Full HD (1920×1080) High speed rec.] – 240p / 200p 200Mbps(recording) up to approx. 3min
– 120p / 100p 200Mbps(recording) up to approx. 6min.
. Flash modes
– Sync. Mode
o 1ST CURTAIN / 2ND CURTAIN (When SYNC TERMINAL on the hot shoe is used)
o 1ST CURTAIN / 2ND CURTAIN (When BUILT-IN FLASH is set)
o 1ST CURTAIN / 2ND CURTAIN / AUTO FP(HSS) (When SHOE MOUNT FLASH isset)
– Flash Mode
o TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF (When BUILT-IN FLASH is set)
o TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF (When SHOE MOUNT FLASH is set)
. LCD monitor: 3.0 inch, aspect ratio 3:2, approx. 1.04 millions dots touch screen color
. LCD monitor(approx. 100% coverage)
. Viewfinder
– 0.39 inch approx. 2.36 millions dots OLED Color Viewfinder
– Coverage of viewing area vs. capturing area: approx. 100%
– Eyepoint: approx. 17.5mm (from the eyepiece lens) Diopter adjustment: -4-+2m-1
– Magnification: 0.62× with 50mm lens (35mm equivalent) at infinity and diopter set to -1m-1
– Diagonal angle of view: approx. 31° (Horizontal angle of view: approx. 26° ) Built-in eye sensor
Terminal
– Digital interface: USB Type-C (USB3.2 Gen1x1)
– HDMI output: HDMI micro connector (Type D)
– Other: ø3.5mm, stereo mini connector (for Microphone and Remote Release), Hot shoe
. Dimensions: (W) 126.0mm × (H) 85.1mm × (D) 65.4mm (minimum depth 32.9mm)
. Weight
– Approx. 465g (including battery and SD memory card) o Approx. 415g (excluding battery and SD memory card)[/i]
“…
The US price is $ 999 for the “X-S10 Body”, $ 1399 for the “X-S10 XF18-55mm Kit”, $ 1499 for the “X-S10 XF16-80mm”, and [b]$ 999 for the “XF10-24mmF4 R OIS WR"…”
Já li que não faz diferença nenhuma no vídeo que sai da câmera entre 200 e 50 Mbps. Alguém sabe se faz diferença durante a edição?
– Digital interface: USB Type-C (USB3.2 Gen1x1) – HDMI output: HDMI micro connector (Type D)
Fico imaginando se não é hora de começarmos a pensar em conector USB-C pra HDMI, ou melhor ainda, USB-C DP.
– Other: ø3.5mm, stereo mini connector (for Microphone and Remote Release), Hot shoe
Melhor que só oferecer opção USB-C. mas melhor mesmo se tiver ambas opções: USB-C e conector pino.
Hands-on da X-S10
